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When the world thinks of Japanese entertainment, the mind typically snaps to two pillars: the hyper-kinetic montages of anime (think Naruto running with arms flailing) or the nostalgic beeps of a Game Boy booting up. However, to reduce Japan’s entertainment landscape to just cartoons and video games is like saying Italian culture is just spaghetti and the Colosseum.

In the early 2000s, Ringu and Ju-On (The Grudge) terrified the West. Japanese horror relies on Ma (the negative space between sounds) and Yūrei (traditional ghosts with wet, long hair). Unlike Western jump-scares, J-Horror is psychological, relying on the belief that unresolved emotional trauma ( Onryō ) manifests as supernatural vengeance. When the world thinks of Japanese entertainment, the