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For Uclés, magical realism is not a gimmick but a vital tool to process an overwhelming trauma. As he explains in an interview, it is "a way of deconstructing in order to reconstruct" and "a form of imaginative writing that is made with images," which he believes "stay with the reader more than words". By infusing the horror of the "Desbandá"—the tragic exodus from Málaga—with an image of a mother fused to the burning road while her baby survives, he goes beyond historical documentation to create a powerful, memorable fable of sacrifice and survival. This approach, which the author himself identifies as "classic magical realism," leans heavily on the genre's roots in Latin American literature, particularly the works of Gabriel García Márquez.

Uclés realiza un ejercicio fascinante de crítica literaria: extrae de las grandes novelas españolas a los personajes que son el alma de esas casas vacías. Por ejemplo: la peninsula de las casas vacia david uclesepub

cross paths with the novel's anonymous characters, creating a vivid tapestry of the era. Haunting Imagery For Uclés, magical realism is not a gimmick

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La crisis económica y la falta de oportunidades laborales provocaron un éxodo masivo de los habitantes de la península. Miles de personas se vieron obligadas a abandonar sus hogares en busca de mejores oportunidades en otras partes de México o en el extranjero. Las casas, que una vez estuvieron llenas de vida y actividad, quedaron vacías y abandonadas. This approach, which the author himself identifies as